Records Blood Moon is Cameron’s first band album and highlights her growth as a songwriter, with lyrics focused on the beauty and power of nature. “These songs share my curiosity about the mystical world, drawing on my attachment to the forests and the plains. This record explores the sounds of those places while telling stories revealing what makes us human.” On the production side, Blood Moon takes a deep dive into the eclectic sounds of British 60’s folk and captures the warmth of 70’s country/folk/rock, drawing on influences from bands like Fairport Convention and Pentangle, combined with Fleetwood Mac’s Rumours and Joni Mitchell’s Ladies of the Canyon.
Fittingly, the recording of Blood Moon began at Vancouver’s Afterlife Studios, formerly the home of the historic Mushroom Studios, whose clients included Diana Ross and the Supremes and Led Zeppelin. Cameron enlisted Juno award-winning producer and engineer John Raham to co-produce and record this album. “Working with John Raham was like stepping into a dream.
He instinctively understood this record's vision and brought everything I wanted to hear to life.” Working in the iconic studio with Raham paid off: “Stepping into Afterlife is like stepping into another world where everything else drifts away; the focus is clear.” Once the bass and drums were recorded, Cameron and Raham travelled to Saskatoon to record the vocals and collaborate with other artists at Rec Hall Studios. “I had the privilege of working with unbelievably talented musicians on this album, and they helped bring out the vision that John and I shared.” Vancouver’s highly sought-after rhythm players, Darren Parris and Leon Power, created the bed tracks for this album, while Saskatoon mainstays Clayton Linthicum, Taylor Jade, and Eliza Doyle added their touches as instrumentalists and vocalists.
For more information contact Stefan.Hayes@V2Benelux.com
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