The Apocalypse Blues RevueRelease The Shape Of Blues To Come
Released: 20th July 2018 via Provogue/Mascot Label Grouphe Apocalypse Blues Revue are back with their new album, The Shape Of Blues To Come, out on July 20th 2018 via Provogue/Mascot Label Group.
Following 2016s self-titled debut, Godsmack’s Shannon Larkin (Drums) and Tony Rambola (Guitar) return with some more bone-shaking blues with Brian Carpenter (Bass) and the shamanistic frontman Ray “Rafer John” Cerbone.
Shannon Larkin discovered Ray Cerbone at a biker bar. The singer had no idea that he was speaking to the drummer from Godsmack, it was just a couple of guys hanging out. “It wasn’t a recruitment at all,” Larkin says. Just two guys who liked to ride, and enjoy music. “It wasn’t like I was a guy in a big band, and he was star struck at all. I went over to Ray’s house with my wife to have dinner, and I happened to see his guitar sitting in the corner. I didn’t know what he did, so I asked him to play a song, and I really loved his voice.”
Grizzled “Rafer John” may be no spring chicken, but the truth is that this is his first band, though he has for years worked as an acoustic blues troubadour. He picks up the story, “Next thing you know, Shannon calls and says that he and Tony are down the road in a recording studio working on a blues song, and they needed someone to sing it. I said, ‘Yeah, I know a few guys who could sing that for you, and he said, ‘no, I want you to sing it! I got in there, sang that song, and the rest is history.”
This is more than a side project, “We’re very excited about this second record. I’ve never seen four wills join so strongly with one intent as I have in this band. That’s something special,” affirms Larkin.
Larkin tells of a pre-production meeting with producer Dave Fortman (Godsmack, Evanescence, Anthrax). at The Vibe Recording Studios in Southwest Florida (Fort Myers), in which the two settled into the control room, ingested certain mind-expanding compounds, and they then proceeded to listen to many hours of the records they loved the most. The phrase Larkin comes back to again and again are, “it has to be real, it has to be genuine.” This record is exactly that. It drips with the existential stew of four guys playing together in a small room, in fact, that is exactly much of what we are hearing—the band laid the basic tracks in just one long day, but they captured it all with the cinematic vision and clarity of a great filmmaker.
Larkin continues, “Our mission is to see if Apocalypse can reshape the shape of blues to come. We’re a different shade of blue. Our approach is to write and play as a traditional blues band. Our original influences came from Zeppelin, Johnny Winter, Stevie Ray Vaughan, we came to the blues later in life, and we’ve found our groove and sound, and it sounds unique and original to us. We don’t try to hide our rock influences, it comes through creating a new shade of blue.”
There is a healthy dose of psychedelia that infuses the record, filtered through the blues of Jimi Hendrix, David Gilmour, and Billy F. Gibbons, and guitarist Tony Rambola runs the gamut from earthy comping to explosive shards of metallic but no less bluesy slide guitar on “We Are One.” Rombola’s riffing, writing, and soloing is a beautiful blend of chops and taste. This is a great guitar record, and Rombola displays a lifetime of woodshedding, listening, learning, and his playing is a thrill from beginning to end. Another important piece of the puzzle here is the rhythm section of Larkin and bassist Brian Carpenter—Carpenter’s huge, gritty tones are a perfect complement to the dynamic drum work, and together they have the feel and sound of a classic blues rock engine room.
Six years in, and it feels like The Apocalypse Blues Revue is just getting started….
TRACKLIST
Open Spaces
We Are One
Hell To Pay
Have You Heard?!
To Hell With You
Nobody Rides For Free
Sincere
What A Way To Go
Noumenal Blues
For further information please contact Dennis Wechgelaar
www.mascotlabelgroup.com
facebook.com/mascotlabelgroup
