From the depths of Easton in Bristol, UK, a family of musical mavericks has emerged, united with purpose: to release a work that will stir the souls of vintage vinyl enthusiasts, swing dancers and live blues lovers alike. Down the stone stairs in the cellar rooms of Dusk Art Studios, amidst the chaos and creative fervour of post pandemic Britain, they have passionately carved a vinyl record in the stylings of some of their favourite 60s era classics.
Rejecting the clinical shackles of modern software-based production, they tracked the live rhythm section in a facility whose tatters resemble more the Millenium Falcon of 1970s Star Wars than a neat modern mastering boutique. Tasked to capture the spark of live interplay, they plotted a course over a limited number of rehearsals to build song arrangements instrumentally. Then in two relentless studio sessions of 4days, they put their full hearts into each take to give breath to the base of the
record.
The live tracking was then complimented by layering a rich tapestry of sound around the core dynamic. Around the impassioned and tonally rich lead vocals of Kirris Riviere, they blended backing harmonies, spooky and unconventional percussion and the intoxicating stylings of a myriad of guest musicians.
In the process of this production the band also established a fresh identity, adopting a Francophile name that pays homage to their lead vocalist's heritage and offers tribute to the cradle of the blues: New Orleans.
Fuelled by a hunger for unique identity, they drew inspiration from parallel sources; The Severn Delta and the enigmatic Bristol hum are at the core of the name. Identifying with the lyrical french phrase "Ca fait du bruit", they plot a line between between cacophony and uproar. Their sound is a mix of raw groove and lyricism which resists easy categorization.
Treading a landscape between Louisiana blues and soulful R&B, they also visit country blues, soul, funk, boogie, gospel, and jump blues. Eight original compositions, birthed from the creative ideas of Evan Newman and Kirris Riviere, and the unique and soul-stirring weave of The Delta du Bruit, bear witness to their artistic ambitions. But they also pay homage to the legends that paved the way, breathing new life into timeless classics from the likes of Muddy Waters, Percy Mayfield, Willie Dixon, and Billy Ward. Seeking out their most esteemed friends in the UK blues circuit to join the fray, enter Jon Amor, the searing guitar virtuoso from The Hoax. And Joe Wilkins, the brooding lead guitar maestro from the Elles Bailey band. Andrew Neil Hayes of Run Logan Run graces their tracks with adept contextual poise on saxophone, while Henry Slim of the Slimline Shufflers weaves a tonal spell with his unique and soulful approach to blues harp.
This is a blues album born from focussed and authentic musical aspirations, but is more than just a set of songs. It's a testament to the unbreakable juju of the blues, born from a world in turmoil. The Delta du bruit is about to take you on an atmospheric ride that'll echo in your bones long after the last note fades.
The Album was recorded in Dusk Art Studios in Easton, using vintage instruments including
wurlitzer 200a and Hammond C3, and Mastered by Simon Heyworth of Super Audio Mastering.
The album will be available on vinyl and CD online via the band or their label, Dusk Art Studios, and on MP3 stream/download from all digital streaming sites. Signed products will also be available at a series of 5 gigs in the South West UK, to be announced through the band’s webpage and socials in October, as will be the case with respect to their touring further afield in 2024.
The release of the debut track Left Me in the Cold (Railroad Tracks) in July, also included a lo
The release of the second single, “The Delta du Bruit”, is due on September15th.
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