The Southwestern native resides in Portland, Oregon, a hotbed of songwriters producing albums that both bear the torch and bend the arc of American roots music, and she recently signed with Loose (Margo Cilker, The Handsome Family, Joe Pug).
Valazzaâs forthcoming new album Kassi Valazza Knows Nothing is a spellbinding collection of songs that dangle like protective magic talismans, catching dreams and glinting light. She hypnotizes listeners with a sturdy, yet gentle, voice and painterly songwriting imbued with an independent spirit. Though her music plays country cousin to British folk, calling to mind greats like Sandy Denny (Fairport Convention) and Karen Dalton, a Southwestern American streak carves its way through these solemn, sweetly sung melodies like a canyon.
On the upcoming 10-song set, multi-instrumentalists from Portlandâs TK & the Holy Know-Nothings appear in varying roles as Valazzaâs backing band: Taylor Kingman (guitars, bass, vocals), Jay Cobb Anderson (harmonica, guitars, pedal steel, bass), Lewi Longmire (pedal steel, piano, bass, trumpet), Sydney Nash (organ, Farfisa, cornet, Wurlitzer), and Tyler Thompson (drums). The groupâs swirling psychedelia combines with Valazzaâs gutsy and graceful vocal poetry for a singular sound that washes over the listener like a flash flood, heavy and without warning.
Album opener âRoom In The Cityâ introduces Valazzaâs high-lonesome, but never lonely world with sharp harmonica and reeling organ. She sings of a touring musicianâs longing for home, and a distant lover, with lyrical imagery of open skies, whistling winds, and sepia-toned rock formations:
âDid you think Iâd be out here feeling lonely? / If I said I thought so too, itâd be a lie / When I talk to you itâs hard to be withholding / And I was born to chase this blue out of my eyes. / In the still, I often wonder about your breathing / I rise and fall to its rhythm late at night / Clay canyons turn to plaster in my grieving / And our ceiling overtakes the sky.â
Using the physical world around her to paint metaphors from the soul, Valazza carries us through her mind and heart, ever the effortless narrator. "Watching Planes Go Byâ spins a cautionary tale about the dangers of standing still in life and accepting one's own fate. The song sets a curious and cosmic atmosphere of psychedelic folk-rock as Valazza reflects on the struggles of moving on, "Autumn leaves turn to yellow / and green turns to jealousy / Watching days go by."
On âCorners,â fingerpicked acoustic guitar dances with bounding bass and twinkling piano, as twanging telecaster and a gentle backing choir flow behind Valazza like a stream through a lonesome vista. âThe clouds move slower than they ever seemed to / Still, they find a way to pass me by,â she sings on her breezy lament about the longing that comes with an unhealthy love, âMy friends, though, they wonder what Iâm used to / To love a man who never treats me right.â
âSmileâ opens with a familiar telecaster honky-tonk squawk and a half-time trot, but Valazza sings in deference to traditional bar-room tales. Hers is about acceptance when love is not enough, about being satisfied having met someone at all, and keeping only a farewell note as a souvenir. "I guess I could have left the light on / Or stayed awake to see you home / But good intentions go unnoticed / And I fare better on my own." In her careful hands, the typical loved-and-lost tale becomes an ode to self-realization and the liberating feeling of going it alone.
As her journey winds down to âWelcome Songâ â the albumâs final Valazza-original preceding a perfect closing cover of Michael Hurleyâs âWildegeesesâ â tension from the singer-songwriterâs nearly behind-the-beat band pushes and pulls the listener into a whirlwind of stream-of-consciousness lyricism. The opening verse, âAs I was laying on my floor / Hiding dreams from the t.v. / I heard a knocking at my door / While my eyes faked sleeping,â paints a pristine mental and emotional picture of both the physical surroundings of the narrator and how sheâs feeling at the time. Itâs clear that every line Valazza writes carries extreme weight, every simple word is carefully chosen and placed with intention.
Kassi Valazza Knows Nothing captures the romanticism of country crooners with the intuition of a realist poet. Exploring themes of love and longing through metaphors from the natural world, Valazza manages to cut straight to the heart of the human experience, her lucid songs full of delightfully languid characters that haunt the hallucinatory soundscapes her band creates.
For more information contact Stefan.Hayes@v2benelux.com /
For more information contact Stefan.Hayes@v2benelux.com /
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