Hollis Brown Recreates 'The Rolling Stones’
Seminal First Original Album, ‘In The Aftermath’
Out February 4th via Mascot Label Group/Cool Green Recordings
Watch Hollis Brown perform “Under My Thumb” live-in-studio HERE
The deliciously depraved outcome of an all-night rock n’ roll riot, ‘In The Aftermath’ follows the release of Hollis Brown’s ‘Gets Loaded,’ saluting Velvet Underground’s Loaded Pre-order ‘In The Aftermath’ HERE
Hollis Brown’s upcoming album, ‘In The Aftermath,’ is the deliciously depraved outcome of an all-night rock n’ roll riot. The Queens, New York-based quintet escaped to the Poconos to record with a few handles of whiskey, and, in one 24-hour session, ran down the Stones’ seminal first album of all originals, 1966’s ‘Aftermath.’ Tracked live in the studio with minimal overdubs, ‘In The Aftermath’ is potent proof the five-piece group is one of the last great American rock n’ roll bands. The album will be released on February 4th via Mascot Label Group/Cool Green Recordings.
“It was a whirlwind recording session—we were on no sleep, and getting liquored up. You can definitely hear the looseness on that final track, ‘Going Home,’” singer-guitarist Mike Montali recalls, laughing. He continues: “We weren’t focused on cleanliness—we were after a feeling.”
Coming on the heels of their most successful studio album to-date – 2019’s Ozone Park, which earned rave reviews from Rolling Stone, Billboard, Paste Magazine, Pop Matters, Relix, and Goldmine – ‘In The Aftermath’ was an artistic inevitable for Hollis Brown. Previously, Hollis Brown issued, ‘Gets Loaded,’ saluting Velvet Underground’s ‘Loaded.’ The five-piece band enjoyed doing the VU album so much they began to joke about doing a “Hollis Brown presents…” series, covering formative records in their artistic continuum.
‘Aftermath’ became the Stones album to dive into for a myriad of reasons. For one, it’s become something of a lost classic as it’s the first album to contain all Stones originals, including the defining track, “Paint It Black.” Also, many of the songs are concise ultra-catchy rock n’ roll rave-ups that mine similar blues and country roots to Hollis Brown’s own signature aesthetic.
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