Release: 20.09.2019 - MISS BIX & THE BLUES FIX / WE DON’T OWN THE BLUES

MISS BIX & THE BLUES FIX - WE DON’T OWN THE BLUESLABEL: SELF

RE-RELEASE DATE: SEPTEMBER 20, 2019

The concept of this collection of songs is inspired by the home of the blues, the Crossroads in
Clarksdale, Mississippi. Leslie Bixler (aka Miss Bix) spent several months there soaking in the
culture and learning the blues from the founders themselves. This is a rare find, 12 songs that
pack a punch, in a conceptual flow, reminiscent of days past, when albums told a story.
Leslie Bixler and co- producer Ralph Carter (previously with Eddie Money and Sugaray Rayford),

who brings bass, percussion, guitar and keys to many of the songs, are joined by John ‘JT’
Thomas (keyboardist with Hornsby), Gary Mallaber (drummer previously with Van Morrison,
Steve Miller and more), blues guitarist extraordinaire Franck Goldwasser (aka Paris Slim), sax
man Bill Bixler, and harp player RJ Mischo.

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The songs reflect the culture that permeates the south - ‘Voodoo Man,’ ‘Black Widow,’ ‘Slave To
The Grave’, and ‘Crazy ‘Bout You’ all have the smoky sensuous sound of the bluesy south. At the
same time, Bixler creates a sound and voice that is all her own, and each song tells a different
story. The Hendrix inspired ‘You’re A Child’ harkens back to the excitement of early rock days,
and features the amazing RHCP drummer, Chad Smith, with whom Leslie worked on the
children’s album “Rhythm Train.” The opening track ‘Follow Me Down’ draws the listener in with a
trance-like psychedelic groove and from there the excitement builds.



Artistic influences like Sheryl Crow, Bonnie Raitt, Peter Gabriel, Sting, John Mayer, and many
others weave together in this altogether new package. Hints of Motown are perceptible in the
R&B feel of ‘Baby Come Back’ and the ending cut is a sensitive homage to the muse herself, that
never ends, in ‘All The Time.’ The title cut ‘We Don’t Own The Blues’ is a playful look at the
nature of love and heartbreak, and is destined to become a blues classic, as is the romping ‘If
You’re Doing What I’m Thinking.’ The vocal stylings of the heartbreaking ballad ‘It Wasn’t Me’ are
beautifully framed with the gorgeous keyboard virtuosity of John ‘JT’ Thomas.

Publicist: Betsie Brown, Blind Raccoon, Mail Me for more information.