
MARK CAMERON - ON A ROLL
WWW.MARKCAMERONMUSIC.NETLABEL: COP RECORDS
Mark Cameron continues his mission to hone his skills as a blues storyteller on his latest release âOn A Roll.â
Meticulously recorded over the span of a year at Bathtub Shrine studios in Minneapolis, the 14 new original tracks
are a true collaboration between Cameron and his band mates. The longtime rhythm section of Scott Lundberg
(bass) and Dan Schroeder (drums) deftly navigate the diverse song palette. Sheri Cameron brings in the spice on
saxophone, flute and percussion while Rick Miller delivers the down-and-dirty sleaze on harmonica.
The lonesome moan of Millerâs harmonica brings in the opening track, âTrouble Brewin,â a swinging tune that has
Cameron laying out the story of him and his gal who find themselves on a collision course. Schroeder then drops
a funky beat for the rebuke of a dirty dealer in âOn Your Way To The Top,â which features some slick double-lead
lines.
Cameron offers some advice on a wild woman during the rumbling boogie âDirty Biscuit.â He dedicates the
road song âRidin The Railsâ to departed friend and bassist Serrin Andreas and Sheriâs flute gives this introspective
tune its distinctive Canned Heat feel.
The title track is a classic tongue-in-cheek tale of hard luck and trouble with a man âgetting in touch with the
deepest, darkest places in his soul.â Cameron delivers a spoken monologue and the harmonica and sax become a
full-horn section on the jump blues âDicey.â The modern groove of âNext Stop Is The Bluesâ comes right out of the
Robert Cray playbook, while the straight up Delta Blues âWhere I Got You Fromâ turns back the clock nicely. The
dance-hall number âMovin Outâ pays homage to Rosco Gordon's 1959 standard âJust A Little Bitâ with some
Texas
guitar flair.
The Louis Jordan inspired swing of âBack Seat Boogieâ has a great sing-along familiarity and Cameron questions
his own motives on the bumping âHere We Go.â Mark lets his Gibson model âLucilleâ guitar do the talking for him
on âWhat Lucy Says.â He then teaches us a lesson on the intricacies of the blues in âMojo Shuffleâ explaining âif it
ainât too fast, it ainât too slow, you got mojo.â The soaring ballad âDreamsâ closes the set featuring dynamic
interplay between harmonica, saxophone and lead guitar while Cameronâs vocals take us to church for solace and
inspiration.
This album indeed finds Mark Cameron and his crew âOn A Rollâ after putting in years of due diligence polishing
their craft.
Publicist:
Betsie Brown, Blind Raccoon,
betsie@blindraccoon.com
Geen opmerkingen:
Een reactie posten