
JON GINDICK - LOVE AT THE ALL NIGHT CAFE
LABEL: OLD CHIMNEY | RELEASE DATE: MAY 31, 2019DISTRIBUTION: CD BABY
Publicist: Betsie Brown, Blind Raccoon, betsie@blindraccoon.com
At the heart of great songwriting is great storytelling and a keen eye for wordsmithing and phraseology.
Jon Gindick has graced the world with another collection of great stories full of fresh phrases and joyful
tales of life, love and the blues on his second album âLove At The All Night Cafe.â Itâs also no coincidence
that Gindick is also a master harmonica player, for his leads and solos are as fluid and lyrical as his vocal
lines, as if he is singing through the blues harp. Gindick is backed by his trio of Ralph Carter on bass,
guitarist Franck Goldwasser and Pete Gallagher on drums for a twelve-song set of foot stompinâ blues,
swinginâ R&B, Calypso and soul.
The opening number, âI Was Born To Wail,â is a lesson on the history of the blues harp with Gindick
playing out his dream of joining the masters of the art and paying tribute to all who inspired him, and
calling them out by name âSonny Boy, Sonny Terry, Big Walter, Little Walter, Jimmy Reed and Howlinâ
Wolf. These are the giants who created my music and to them I take my hat off.â The easy groove of the
tale of heartache in âFeeling Her Goneâ has a classic Memphis Soul sound. The vibe gets edgy for âBabyâs
Got The Blues,â then deftly switches gears into a Latin groove for the satirical title track âThe All Night
Cafe.â Some fine piano work from Carter frames Gindickâs colorful description of the scene portrayed in
the painting âNighthawksâ by Edward Hopper that graces the album cover. He then spars with
Goldwasser on the slinky shifting blues âLoad Me Up Babyâ and spells out the virtues of his muse on the
sweetly swinging âMississippi Moods.â
Gindick takes liberty with the old advice to husbands on âHappy Wife, Happy Life, Happy Home,â while the
band dishes out some breezy western swing. He gets to finally put into words the depth of his love on
the piano driven ballad âThe Song I Couldnât Write,â then challenges the #metoo movement with an oldfashioned boogaloo about his baby âI Love The Feminine Girl,â and then defends his machismo by
declaring his sensitivity on the loping blues âHand Holding Man.â The tasty bossa nova âCanât Get That Girl
Off My Mindâ plays out the romantic tale. For the album closer Gindick speaks of his music and the
profound love and redemption he has found in its creation on the soaring âIn The Land Of Youâ (a man
giving up everything for a woman he has seen only once.)
Another great songwriter and his wife once penned the line âSome people wanna fill the world with silly
love songs, And what's wrong with that?â Jon Gindick has taken this notion to heart and with âLove At
The All Night Cafeâ gives it an edge of bluesy reality
WEBLINKSOS: www.jongindickband.com
Publicist: Betsie Brown, Blind Raccoon, betsie@blindraccoon.com
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