DEE MILLER BAND - LEOPARD PRINT DRESS
LABEL: SELF
RELEASE DATE: OCTOBER 23, 2018
Minneapolis became noted as a center for rhythm and blues (R&B) in the 1980s, when the multitalented star Prince rose to fame. But the twin-cities region had long been known for giving birth
to notable modern folk music, gospel, blues, alt rock and jazz artists. Dee Miller grew up in Saint
Paul Minnesota, singing along to her favorite vocalists and was a member of many local bands
earning the title “The Duchess of the Blues" from the Minnesota blues community.
The selfproclaimed "barrelhouse" singer formed her own band in 2004 and in the fall of 2018 the
Minnesota Blues Society inducted
Dee Miller into the Minnesota Blues Hall of Fame in the
category of “Performer.”
Her sizzling hot band features the vocal lead and harmonies as well as the blazing guitar work of
the phenomenal Craig Clark. His rich deep sound is rounded out by the rhythm section of Eric
Meyer (bass/vocals), Mike DuBois (drums) and the keyboard work of Jesse Mueller.
Their third album, “Leopard Print Dress,” was recorded at the Villa Studios and features ten
tracks - a cross section of house rockin’ blues heavy duty soul and dance party R&B that
showcases the muscular abilities of this tight hard-working band. The sharp originals and creative
covers reflect the variety of blues, rock, and R&B deep-cuts in the group’s repertoire. Inspired by
wild nights in steamy nightclubs the rousing ‘Hot And Sweaty,’ open the set with dance floor
filling swing and sizzle. Miller proudly carries the torch for Etta James on the blazing cover of
‘Strongest Weakness,’ with her powerful, deep, earthy voice bridging the gap between R&B and
rock ‘n’ roll. John Pinckaers sits in on piano for the gospel-fueled reading on the Eagles’ classic
‘Take It To The Limit.’ Craig Clark shares the lead vocals for the title track ‘Leopard Print Dress,’
which won the Minnesota Blues Hall of Fame award in 2017 for “Best Song.” The four on the
floor blues rocker was cowritten with Jimi “Primetime” Smith and features a greasy slide guitar
solo that has become Miller’s trademark anthem. The house party really gets rolling for the horninfused boogie woogie ‘Back In The Saddle,’ then Clark steps up on the soul blues burner ‘Last Dollars,’
Two delivering powerful vocals and a ripping lead on the Jonny Taylor hit that has
become a staple of the club scene. Steve “Boom Boom” Vonderharr added his hot blues harp to
the bump and grind shuffle ‘I Sing The Blues,’ and Toby Marshall lays down sweet Hammond B3
on the lovely cover of ‘Midnight In Harlem,’ with Dylan Salfer tackling the daunting slide guitar
part written by Derrick Trucks over a new double chorus outro.
The Band gets funky on rousing take of Albert Collins classic ‘Black Cat Bone,’ highlighted by
groovy keyboard from Jesse Mueller and icepick guitar from Clark. Miller dedicates the album
closer ‘Steppin’,’ to all her “girlfriends out there who’ve been done wrong” then preaches the
blues the way it is supposed to be; down and dirty, raw and live off the floor. The Dee Miller
Band are poised to make some bold impressions and tell the world what the Twin Cities has
known for some time; The Duchess and her boys are here to tear the house down.
WEBLINKS OS: deemillerband.com
Publicist: Betsie Brown, Blind Raccoon, betsie@blindraccoon.com