On October 6, 2023, she releases her collaboration with singular guitarist/bassist , a midnight run to the crossroads where jazz, blues, gospel, and R&B all converge.Candice IvoryMemphis MinnieWhen the Levee Breaks: The Music of Will Roy SandersFieldstonesCharlie HunterWhen the Levee Breaks (Little Village Foundation) –
Ivory shines a brilliant light : . Ivory had long planned to record an album of Memphis Minnie’s music, but the stars didn’t align until 2023, which happens to be the 50 anniversary of her death at the age of 76. The crucial factor was Ivory’s budding friendship with Hunter, a player similarly steeped in jazz, soul, and Delta blues. Ivory notes, “I loved and respected my great-uncle Will Roy Sanders, but I was also looking for women role models in a very male-dominated field. As a working musician while still in high school, I had an epiphany when I visited Memphis Minnie's grave in Walls, MS, just a few years after purchased a headstone for the long-unmarked plot. I was amazed to discover that Minnie's grave had been transformed into a shrine by all the visitors from around the globe. That made an unforgettable impression on me, yet she’s mostly unknown.”on one of the blues’ greatest artistsMemphis MinniethBonnie Raitt
Born (June 3, 1897 – August 6, 1973), Memphis Minnie was one of the most influential and popular blues artists of the 1930s and ‘40s, though she’s often overlooked when it comes to the blues pantheon. A powerhouse vocalist and guitar maestro, Minnie harnessed a gift for translating the pleasures and vicissitudes of her own life into tightly packed songs. As she evolved throughout her career, she adopted electric guitar on the early ‘40s Chicago scene. Minnie recorded around 200 tracks, more than any other female blues artist of the era, including standards like “Nothing in Rambling,” “Looking the World Over,” and “Bumble Bee” (which Ivory and Hunter recast with a gentle inspired reggae groove). Lizzie DouglasTaj Mahal-
“I tried to find songs that were a little more optimistic,” Ivory said. “We wanted to cover the popular songs, but we choose some deep cuts too. We recorded some tunes she did with , one of her husbands, who doesn’t get enough credit either. She definitely didn’t mess with anyone who couldn’t play.”Little Son Joe
Born in Millington, the Tennessee town also claimed by , Ivory started singing professionally on Beale Street in Memphis in her mid-teens. Mentored by veteran artists like , and (brother of legendary jazz pianist ), she often sang into the wee hours and grabbed whatever sleep she could before heading off to school. Selected for the prestigious program at the (Washington, DC) at 18, she connected with jazz stars and (who along with urged her to make the move to New York and study jazz at the ). Koko TaylorAndy Goodrich, Fred Ford, Honeymoon Garner, Mose Vinson, Nokie Taylor, Di Anne PriceCalvin NewbornPhineas NewbornBetty Carter Jazz AheadKennedy CenterTerence BlanchardMarcus StricklandRoy HargroveNew School
Ivory first introduced her dynamic improvisation-laced sound with 2003’s and followed up with 2005’s She more than lived up to the promise of those projects with 2015’s , another session made up entirely of original compositions. unveils a new facet of the polymorphously creative Ivory, but she contains multitudes. Ivory is also a gifted visual artist who describes her aesthetic as “Southern Surrealism,” drawing inspiration from the renowned Memphis painter George Hunt “and my family's history and the feeling of life in the South, shaped in part by the work of my father,” the ,professorvoice at in St. Louis. path - undefined.QuestographyLove MusicWhen the Levee BreaksRev. Dr. Luther Ivory emeritus of religious studies at in Memphis. Like her father, Ivory is also a professor—she teaches Rhodes CollegeWashington UniversityWhen the Levee Breaks is more than a homecoming. It’s the completion of a serendipitous circle that touches just about every aspect of her musical upbringing. She took some of her first music lessons with a high school student named , who her father hired as his church music director. Though she was only 11 when Archer started, “he never treated me like a kid, he always took my ideas seriously,” she says. “I remember him showing me things like ‘Remember the Time’ by .” Michael ArcherMichael Jackson
Archer went on to change the face of music as , and played an essential role on his 2000 neo-soul masterpiece, As she and Hunter got to know each other, it became clear they were kindred spirits who had been imbibing from the same deep waters. D’AngeloCharlie Hunter .Voodoo
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