Unfinished Business, includes nine original songs penned by Zelman, as well as covers of songs (recorded) by Johnny "Guitar" Watson, Professor Longhair, and James Cotton, all featuring elaborate horn arrangements and stellar instrumental performances on a swath of traditional blues, swing, jump blues and soul tracks.
1950âs jump blues classic, âShe Moves Me,â from the Johnny âGuitarâ Watson catalog opens the album with hot horn jabs emphasizing Steve Zâs points of adoration and vamping on the rhythm, as we enjoy a round of hot solos from him and Jim Blazer on piano and tenor sax man Chris Mostert. Gary Coppola steps to the mic for the spicey rhumba âOne Hell For Another,â a sordid tale of a hard-working manâs struggle to get ahead; in classic style he takes one step forward and then two steps back. Steve Zâs swampy guitar riff sets the palette for the southern fried song of love and devotion âLittle Bit Of Heaven.â âBetter Late Than Neverâ is a sweet talking blues about a man who is head over heels in love and encourages everyone to do the same. Coppola digs deep into the piano driven 12 bar blues âTime Of Day,â testifying to unrequited love freely given from his tormented soul.
The band frames James Cottonâs âSheâs Murderâ as a hot Chicago shuffle that depicts the dangerously beautiful woman, who is prowling Steve Zâs heart strings before he pleads his case with an ice pick guitar solo. In fitting style, piano and guitar introduce us to Professor Longhairâs blues rhumba âHer Mind Is Gone,â then borrow a bit from Albert Kingâs âDonât You Lie To Me,â and mix them with the playful lyrics that jibe at the fairer sex. The greasy shuffle, â Prescription For Disaster,â finds guest vocalist David Morgan playing the role of a man done wrong by a salacious woman. The salsa infused âWild Love,â features some tasty drumming from Danny Pucillo, Jr., and slick organ tones from Jim Blazer. The title track, âUnfinished Business,â mixes all the elements of big band blues together: big vocals, big guitar, big horns for a simmering showstopper. Steve Z mellows the mood on the blues confessional âSweet Surrenderâ before he and Coppola share the mic for the fun loving âMonkey Toesâ that starts out gently swinging and builds to a Bo Diddley beat finale.
Writing and arranging for a nine-piece band is a difficult task in any genre. Staying true to the traditional forms of classic blues and soul is a labor of love, and one the Rhythm Krewe have taken on with panache. Rick J Bowen
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Betsie Brown, Blind Raccoon, betsie@blindraccoon.com
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